Audio of Pastor Darren Cowdrey's weekly message, as we work together toward fulfilling our mission statement: "Setting a Course for a Better Life."
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A lot of us learned Alexander Hamilton’s life just long enough to pass a test, then let it fade. So we’re bringing it back in a way that actually lands, through the Hamilton musical and one of its most tender moments: “It’s Quiet Uptown.” We talk through Hamilton’s rise from an orphaned childhood to the centre of the Revolutionary War and the founding of American government, then track the growing political rivalry with Aaron Burr that ends in the duel everyone remembers.
Then the story tightens into the part that hurts. Hamilton’s marriage to Eliza, the pressure of constant work, the damage of scandal, and the loss that no family wants to imagine: Philip’s death while defending his father’s honour. We name the strange silence that follows tragedy, when distractions stop working and words can’t reach the wound. If you’ve ever faced grief, regret, or the feeling that life has cheated you, this is where the conversation gets painfully real.
From there we open 2 Corinthians 1:3–7 and sit with Paul’s claim that faith doesn’t erase suffering, but it can change what suffering does inside us. We look for God’s consolation as something concrete, often carried through friends, family, and church community, and we talk about forgiveness as a slow, honest pathway back toward wholeness, including learning to receive grace for ourselves. “It’s Quiet Uptown” becomes our guide, moving from unbearable loss to the smallest sign of repair: a hand taken in a garden.
If this resonates, subscribe, share the episode with someone who needs comfort, and leave a review so more listeners can find it. What part of the story are you still carrying today?
I am counting on everybody having mastered a memory of the life of Alexander Hamilton from Sophomore American History. Can we all agree we're on the same page there? We have it pretty well locked in. How many of you remembered it just long enough to take the test? Right? And it's been gone ever since. Well, one of the fun parts of this particular show is that it is uh based in uh our own American history and some of our more important American history. Uh and so uh um that's kind of cool. There there's some uh read-ins as far as personalities and things like that, but for the most part, it's a historical musical uh that um it's pretty impressive. I don't know how many of you have actually got to see it on the stage. Yeah? Oh, good for you guys. And was it worth it? I remember thinking to myself, we're mixing rap and musical theater. How's that gonna go? Right? And then I left there amazed. I thought this was such a good show. I really enjoyed it. Uh and have those of others of you seen it, uh uh the video version, right? Seeing the they they taped a stage version. So some of us have seen it that way too. So many of us have seen it, which is cool. Uh,
those of you who've already seen it, as well as those who haven't, I encourage you to come join us on the 28th, Friday night, our next movie night. We'll be watching that off the Disney Network. Uh, and you can sign up for us because we try to have some dinner for everybody. It's nice to have a number. Um, but let's go.
Uh uh starting with the story of the musical itself. Again, most of it is just the history. Uh, it shows uh Alexander Hamilton's life really in two acts. He is a young man who grew up as an orphan, but through his wits, his brains, its capabilities, he ends up getting into uh uh some of the most significant parts of our government functioning, especially around the American Revolutionary War, and was even ready to go lead battalions and really uh go to war for real. But he was kind of drawn up by the leaders of the time because he showed such capability to leadership at even higher levels. And so he moved into those levels and was actually able to be uh part of the founding father's action, working uh uh alongside some of those other founding fathers to win independence. Uh, some of the ones he was closest with, Marquis de Lafayette and John Lawrence, uh, helped him uh um navigate a lot of that, give verbiage to a lot of that, but also he gets really tight with a guy named George Washington. Did you remember that part of American history? Right, that guy you got. All right. He was Apple Tree, right? I cannot tell a lie. Of course, that one's a fake story, too, isn't it? Yeah, what are you gonna do? All right, in the second act, he starts to really get even more influence in the establishment of our government. Uh, we were a new kind of entity as a democracy, at least uh new in that age. And uh so there was a lot of work to figure out what that was gonna look like, and he was really key in getting that organized. Also very key in developing our financial system early on. But in along the way, he develops these rivals and he's in these battles. Uh, one with Thomas Jefferson uh um and others with Aaron Burr, which we'll hear more about that story. Uh, but probably most significant is he starts facing some personal scandal in his life. Uh, and that plays out in those two
acts. But the real rivalry that drives everything in this story is the one with Aaron Burr. He is a fellow politician, he is a lifelong rival. Hamilton, kind of driven by his constant urgency to make his mark. Right? Remember the song I'm not throwing away my Yeah. See, some of you remember it. Some of you were just scared to sing it. Yeah, not throwing, it's one of the bigger lines in the movie, and a lot of us walk away, kind of thinking that in our head. Burr is more of a hesitator. He's more, he's gonna play his cards a little bit slower, a little more cautious. His song is Wait for It. Uh, so that one we're not singing as much because who wants to wait for it? Am I right? If you're gonna sing a song, it's gonna be not thrown away your shot. But these two styles, they get in the way of each other. They're growing uh political conflict between the two of them. It gets deeper and deeper. Rivalry heats up first when Burr wins out over Hamilton's father-in-law for a Senate seat. So then it starts getting a little thicker. Then it goes a little further, this rivalry, when Hamilton backs Thomas Jefferson and not Aaron Burr for president. And finally, tensions mount to the point that they agree to meet for a duel. We don't know fully the mindset as they approach this. The musical shows Burr thinking a lot about what brought them there, and so he's building up an anger and a concern about what's going to happen. Whereas Hamilton is a lot focused on his legacy as he approaches this moment, at least as the musical lays it out. Then, for reasons we don't fully know, Hamilton, rather than firing at Aaron Burr in the duel, fires upward, Aaron Burr shoots straight, and he actually ends up killing Alexander Hamilton. So there's the main plot, the historical story that we all know and remember from sophomore American history, right? That's the part, or at least the gist of what we knew.
What we should know, or what helps with the story, is there is a subplot. Early in his career, Hamilton meets Eliza Schuyler and he marries her. Despite being married to her, he is spending a lot of time working. Right? And maybe justifiably, the things he were doing were significant. You know, he was creating and structuring this new type of nation, and so it might have been justified. Uh, but more problematic is he starts having affairs. We were talking about the scandals that he got involved in. And so this obviously puts a strain on his marriage, and one affair becomes so significant and problematic that his son Philip feels the need to defend his honor. And in doing so, in defending the honor of Alexander Hamilton, his dad, he gets killed. So this is the setting for the song we picked out for today, as well as for the scripture that we picked out for today. We probably all pray that we or really anyone that nobody would have to go through this kind of tragedy in their life to have their son killed, especially killed defending your honor after mistakes that you have made. Many of you know this story of Alexander Hamilton, we know how it ends, but this this is probably the key uh part of his life, at least personally. This is the tragedy of Hamilton's life. His son's death, defending him. And I think we'd all agree this is pain uh that um this pain is only something we could know having gone through it.
I'm trying to be very careful. I'm trying to tiptoe through uh um some of the story and and uh uh potentially uh I don't want to minimize the pain that this situation would bring to somebody, but at the same time I feel like Paul in his second letter to the church in Corinth is lighting a pathway to healing even in a situation like this, when there is deep, deep suffering, that there's a pathway that's open to us when we are ready to take it. So in Paul, in 2 Corinthians uh chapter 1, this is verses 3 through 7, he talks about suffering. It's probably worth mentioning that it it there is an acceptance of suffering in our world. There's not a pretense, he's not pretending that our faith protects us from pain. And what it amounts to, his teaching, is pointing to a different way of understanding our suffering. You might even argue he's pointing to a different way of understanding all suffering. His point is it isn't that we uh don't suffer, but that our suffering can open us to God's presence. In other words, uh when we are suffering, there's potentially an experience of consolation as God offers it to us in difficult times. Oftentimes the effect of suffering is to make us feel victimized, right? This world is unfair, this world has cheated me, everyone around me is bad, right? That's oftentimes the effect of our our suffering rather than looking at it as simply being a reality of our mortal life. We are humans. We live, we die, we have joy, we have pain, just that normal cycle of life. Rather than recognizing that, we start to feel cheated often. What Paul is doing is he's encouraging us to do uh to uh in this process to be looking for God's presence. When we are suffering, he's encouraging us to look for where consolation comes from. Family, friends, church. He's inviting us to look for where grace is evident, where we feel the unconditional love of God, where it becomes real even in the midst of the tragedy. He's inviting us to look for where forgiveness for others, but also for ourselves, where that forgiveness becomes that pathway back to something more whole, something more holy. Paul even goes one step further. He would say, when we walk that journey well, when we are able to work our way through that suffering, we actually become part of the presence, that consoling presence that God offers to the world. With an understanding of that godly healing presence in tough times, we gain a capacity to be that presence for others.
So Alexander Hamilton and his wife Eliza, they are walking that pathway of suffering and of grief. And we see it play out in the song called It's Quiet Uptown. At this point, the couple has moved out of the city to grief. And what they immediately begin to feel is the quiet. Right? Often quiet is the last thing that you want to hear when you're having tough times. You want distractions, not quiet. And they talk a lot about dealing with what's called the unimaginable. The unimaginable thing that happens, that deep, deep tragedy that tears the heart apart. This morning, you are being invited to listen for that pathway of suffering to healing. And it plays out in the story itself. The song comes in three parts, three parts of a story. The first part talks about the depth of grief that we can feel. The depth of grief in this particular situation. The lyrics describe a pain so deep that words cannot reach it. The unimaginable. This is the depth of his grief. From there, the song moves into a rebuilding of the marriage between Alexander and his wife Eliza. He begs for forgiveness for his past mistakes. He begs for forgiveness for the pain that he has caused. He even wishes he could trade his life for his son's life. But finally, as we reach the end of the song, we start moving towards some forgiveness. Eliza slowly takes Alexander's hand in the garden. And the rest of the company, the company being the rest of the actors, the singers, they reflect on the grace, the survival, and the power of forgiveness after such a tragedy. So I'm gonna invite a couple of New Kirks to come up and to share that song.
It's Quiet Uptown. In this particular instance, Alexander Hamilton is actually singing with his sister-in-law, his wife's sister, who has built a connection with both of the couple and is now talking about kind of walking them through that journey.
SPEAKER_01
There are moments that the words don't reach. There is suffering too terrible to name. You hold your child as tight as you can and push away the unimaginable. The moments when you're in so deep, it feels easier to just swim down.
SPEAKER_03
Spend hours in the garden. I walk alone to the store. And it's quiet up town. Never liked the quiet before. I take the children to church on Sunday. Look at where we started. I know I don't deserve you, Eliza, but hear me out. That would be enough. If I could spare his life, if I could trade his life for mine, he'd be standing here right now, and you would smile, and that would be enough. I don't pretend to know the challenges we're facing. I know there's no replacing what we've lost, and you need time, but I'm not afraid. I know who I married. Just let me stay here by your side. That would be enough.
SPEAKER_01
There are moments that the words don't reach. There's a grace too powerful to name. We push away what we can never understand. We push away the unimaginable. We are standing in the garden. Alexander by lies aside. She takes his hand. It's quite uptime.